I am interested in the space in between. Between the visible and the hidden, between the absent and the present, between the unspoken and the understood Between the forgotten and the remembered, between the transient and the eternal, between permanence and change.
Between the epic and the pointless, between creation and destruction, between grandeur and insignificance, between emergence and disappearance, inscripture and erasure.
Between life and death, art and life, and between you and me. The field between plus minus and, beyond..
29 th of AUGUST
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Anna Livia Lowendahl-Atomic grew up in Sweden and has lived in New York, Berlin and London. She is an interdiciplinary artist working across and sometimes in between, the boundaries of medium and discipline..
From objects, photography, text, drawings and mixed media to site specific work, interventions, performance, mind-collages and durational projects. In addition to her own art practice she collaborates in music projects under the name Ana Dinextra. She graduated from Chelsea College of Art, London in 1995. |
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| BIBLIOGRAPHY |
Douglas Park 'Great Expectations',
Essay, 2009 |
| Rachel Lois: |
Rachel Lois: 'Great Expectations',
Review unedited - a-n's resource for
new critical writing, 2006 |
Anna livia lowendahl-atomic: 'Portrait of Father', Stimulus Respond - the e-zine for urban anthropologists, issue
11 - Family, April/May 2006 |
'3 anledningen att åka till Hökarängen', DN På Stan, 30 oktober 2005 |
Christina Karlstam,'Uppsalakonstnär i London', Uppsala Nya Tidning, Sep 2004 |
David Lillington, 'Becks Futures',
Springerin, Hefte fur Gegenwartskunst, Wien No 2/03 |
David Lillington,
Metropolis M, Utrecht, 08 December 2003 |
Christine Boggis, 'Law imitating art',
In Brief, London, issue 101, November 2003 |
Henry Lydiate, 'Questions of Attribution',
Art Monthly, London, no 267/03 |
Christina Karlstam, 'En Sann Uppstickare',
Uppsala Nya Tidning, Uppsala, 13 May 2003 |
Alex Wade, 'Can you Own an Idea?',
G2, The Guardian, London, 6 May 2003 |
| Alex Wade, 'Copyright dispute gets right to the matter', The Times, London, 27 May 2003 |
'Plagiarism row hits 'invisible art',
BBC news online, 29 April 2003 |
'Jumble sale film scoops art price',
BBC news on Line, 29 April 2003 |
| 'Oppurtunisme', Bil Bok, Magazine des Errances Contemporaries, Brussel, No 15/00 |
Henry Lydiate, 'Mum's the word',
Art Monthly, London, no 242/00 |
Olle Lidbom, 'Det är ideerna som räknas',
Ergo, Uppsala, No 10/00 |
Christina Karlstam, 'Hotet om undergång',
Uppsala Nya Tidning, Uppsala, 9 Sep 2000 |
Lotta Fritfiof, 'Hemligheter till salu',
Uppsala Nya Tidning, Uppsala, 1 Sep 2000 |
| Amanda Sebestien, 'Camden Shopping-buy art', Make, London, No 76/97 |
Isak Westerström, 'Utstallning med politiska förtecken', Nordvästra
Skånes Tidning, 11 Mars 1996 |
| Per Kagström, 'Utställning i Amerikanska färger', Hallands posten, 13 Mars 1996 |
Ann Svalander, 'Lyft for Uppsala Konstnär',
Uppsala Nya Tidning, Uppsala, 14 November
1992 |
| Dazed and Confuced, issue 1 |
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| This Too Shall Pass |
| The Muesum |
The Rest of Your Life (If I were God) |
200 and 25 days |
The Jason Art Gallery |
| The Truth Machine |
| Great Expectations |
| A Selection of Intereting Secrets from Various Stages in My Life |
| Portrait of Father |
| Cut it Out |
| Photo Booth |
| Exercise |
| Real Life Ink |
| Spic and Span is the Masterplan |
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| Divide and Conquer |
| Sometimes I Take Photographs I Do Not Know Why |
| Works on paper |
| Bookworks |
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| Text/Poems |
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Music/Voice/Spoken word |
| Where Everything Falls Out |
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EXHIBITIONS |
2010 |
48 stunden Neukoelln, Berlin |
2009 |
| 'Spuren', Kunstraum T27, Berlin |
| Britain's Rubbish', Art ohne grenzen, Berlin, Germany |
| (WAM) Group Show - 'Mind the gap', Crypt Gallery, London, United Kingdom |
| 48 stunden Neukoelln, Berlin |
| 2008 |
| The Famous, the Infamous & the Really Quite Good”Decima Gallery, London, United Kingdom |
| 2006 |
| Gift, Museum of Man, Liverpool, United Kingdom |
| Objects In Waiting' End Gallery Psalter Lane Campus Sheffield Hallam University Sheffield, United Kingdom |
| The Experiments 1.0 Guerrilla
zoo,at Corsica Arts Club, London, United Kingdom |
| 2005 |
| Great Expectations' Centrifug (Konsthall C), Stockholm, Sweden |
| 2004 |
| I don't mind if you forget me', The Jason Art Gallery, London, United Kingdom |
| 2000 |
Uppstickare', Uppsala Art Museum, Uppsala, Sweden |
Chercher le pe're', (Portrait of Father) Gallery
Strömbom, Uppsala, Sweden |
democracy!', Quitters','Quitting, the path to success!', Royal
College of Art, London, United Kingdom |
| Les Enfant's Terrible's', Fordham, London, United Kingdom |
| 1099 |
Artist's car boot', Fordham, London, United Kingdom
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| Portrait Booth', Fordham, London, United Kingdom |
| Was Jesus Gay', Decima, London, United Kingdom |
| BLT', Touring exhibition across bar venues,
London, United Kingdom |
| Den 53:e Staten', Norre Port Gallery, Sweden |
| 1997 |
Mavis goes shopping', Women in Focus Festival,
London, United Kingdom |
| Misc |
| Cut it Out', (Pamphlet given with Contemporary Visual Arts magazine, issue 30, 2000 |
| Artwotk used in Pete Townsends Psychoderelict CD |
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